When Life Hands You Parkinson’s: Why 'Onwards and Sideways' Could Be the Film We Need Right Now
There’s something profoundly human about stories that confront life’s curveballs with humor and grace. When I first heard about Onwards and Sideways, the upcoming film starring Laura Linney and Rhys Ifans, I was immediately struck by its premise: two strangers, both diagnosed with Parkinson’s, finding an unlikely friendship. But what makes this particularly fascinating is how it flips the script on how we typically portray chronic illnesses in media.
Beyond the Diagnosis: A Story of Connection, Not Pity
Let’s be honest—Parkinson’s is often depicted as a tragic endpoint, a condition that defines and diminishes. But Onwards and Sideways seems to challenge that narrative. Personally, I think this is where the film could truly shine. By focusing on the characters’ shared love of humor, dance, and music, it reframes Parkinson’s not as a full stop, but as a comma in the sentence of life.
One thing that immediately stands out is the casting. Laura Linney and Rhys Ifans aren’t just big names; they’re actors known for bringing depth and nuance to their roles. Linney’s portrayal of a musician and single mother, paired with Ifans’ depiction of a school deputy head, feels like a deliberate choice to humanize the condition. What many people don’t realize is how isolating Parkinson’s can be—not just physically, but socially. This film seems to tackle that head-on, showing how connection can transcend diagnosis.
The Power of Unexpected Friendships
The synopsis hints at a “startling encounter” that changes everything. If you take a step back and think about it, this is a universal theme: life’s most meaningful moments often come from the unplanned, the messy, the unexpected. What this really suggests is that resilience isn’t about battling alone; it’s about finding your tribe, even in the unlikeliest places.
From my perspective, this is where the film’s potential lies. It’s not just about Parkinson’s—it’s about the human capacity to find joy in the face of adversity. The inclusion of dance and music as central elements feels symbolic. Dance, after all, is about movement, even when your body resists. Music is about expression, even when words fail. These aren’t just plot devices; they’re metaphors for living fully, despite the odds.
Why This Film Matters Now More Than Ever
In a world that often reduces chronic illnesses to statistics or sob stories, Onwards and Sideways feels like a breath of fresh air. But it also raises a deeper question: Why do we still struggle to tell stories about illness that are both honest and hopeful?
A detail that I find especially interesting is the involvement of Paul Mayhew-Archer, who co-hosts a Parkinson’s podcast. This isn’t just a film made about people with Parkinson’s—it’s a film made with their voices. That authenticity could be its greatest strength.
Looking Ahead: What This Film Could Spark
As someone who’s always drawn to stories that challenge assumptions, I’m eager to see how Onwards and Sideways will resonate with audiences. Will it inspire more nuanced portrayals of chronic illnesses? Could it spark conversations about the power of community and creativity in the face of adversity?
Personally, I think its impact could extend far beyond the screen. If it succeeds, it could pave the way for more stories that treat illness not as a plot twist, but as a part of the human experience. And that, in my opinion, is something worth celebrating.
Final Thoughts
Onwards and Sideways isn’t just a film about Parkinson’s—it’s a film about what it means to keep moving, even when the path isn’t straight. It’s a reminder that life doesn’t always go forward; sometimes, it goes sideways. And that’s okay.
As we await its premiere at TIFF and subsequent release, I’m left with one thought: maybe the most profound stories aren’t about overcoming obstacles, but about finding beauty in the detours. And if this film can do that, it’ll be more than just a movie—it’ll be a movement.
